In 1929, Berlin doctor Friedrich Ritter, disenchanted with modern civilization, and obsessed with the works of Nietzsche, pulled up stakes and moved to the Galapagos Islands with his admiring acolyte Dore Strauch. Hell is definitely other people, and there were already rumblings of trouble in their high-flung mission. Strauch had multiple sclerosis, and Ritter treated her condition as an annoyance, and seemed to feel she was slacking in her hard labor duties. Ritter wrote home letters to his family complaining about Dore, saying, "I cannot relax the sternness of her education." Ritter was a humorless bore.
Over the course of the next couple of years, two other groups of people arrived on Floreana, setting up camp, all of whom were greeted with varying degrees of hostility by Ritter and Strauch. There were the Wittmers, a German couple, who had read Ritter's articles about the Galapagos Islands and followed in his footsteps. (Note to Ritter: Do not advertise your glorious isolated paradise if you want to keep it to yourself!) After the Wittmers showed up, a flamboyant woman swooped onto the island, seemingly from out of nowhere, trailing two young men behind her, calling herself the "Baroness Eloise von Wagner Bosquet". She was supposedly a millionaire, she said stuff like, "The man isn't born who can resist me," and she wanted to build a "grand hotel" on the island of Floreana. It was rumored that the Baroness and the two men with her all slept in the same bed.
There is a lot of first-hand material read in voiceover, letters, journal entries, all of the players gossiping viciously about one another, with Cate Blanchett leading the cast as the voice of "Dore Strauch". The filmmakers chose to also delve into the social history of the Galapagos Islands, interviewing many current inhabitants, exploring what it means to live in such an isolated outpost. Fascinating stories though these may be, they lack the narrative thrust of that historical murder-mystery, with its sexual intrigue and mythical "Baroness" and Nietzsche-driven temper tantrums. We keep wanting to go back to that, to find out what happened to all of those people we see, endlessly laughing and playing with goats and hacking up palm fronds in the home video footage. Repeatedly, the tension of that original storyline is slackened, as yet another side-narrative is introduced. It is not surprising that Gellerand and Goldfine would find all of it compelling, but it makes "Galapagos Affair" a frustrating experience.
ncG1vNJzZmivp6x7s7vGnqmempWnwW%2BvzqZmq52mnrK4v46tn55ll5a5orzAoKasZZGbs6K10WaqmqyRo3qkrcyeZK2nXZqxprqMa2dqbA%3D%3D